Skip to main content

Degrees: Ph.D. New York University, M.A. New York University, B.A. University of Wisconsin–Madison

Expertise: Cinema Studies, Film History, and Visual Culture Studies

Selected Scholarship and Publications: "Phantom Bodies: The Missing People and Empty Streets of Film Noir," Quarterly Review of Film and Video, 32.2, (forthcoming) 2015; "Intersecting Traumas: Israeli and Palestinian Memory" Culture, Trauma and Conflict: Cultural Studies Perspectives on Contemporary War, ed, Nico Carpentier, Newcastle, UK: Cambridge Scholars Publishing, Revised Second Edition, 2014 (First Edition, 2007); "Duplicated Replications: the Interventions of Omer Fast," Afterimage: The Journal of Media Arts and Cultural Criticism, Volume 37, No 5 (March/April 2010); "Constructing the Image of Postmemory," The Image and the Witness: Trauma, Memory and Visual Culture, eds., Frances Guerin and Roger Hallas, London: Wallflower Press, 2007

Selected Reviews: "Le Gitan" and "The Statement," (film reviews), World Film Locations: Marseille, ed. Marcelline Block, London: Intellect Books, 2013 (translation Presses Universitaires de Provence, 2013); L'armée des ombres" and "Belle de Jour," (film reviews) World Film Locations, Paris, ed. Marcelline Block, London: Intellect Books, 2012; Shadows, Specters, Shards: Making History in Avant-Garde Film (book review) Screen, Volume 49, No. 1 (Spring 2008); "Crisis in Africa," (film review) Afterimage: The Journal of Media Arts and Cultural Criticism, Volume 35, No. 5 (March/April 2008); The Cinematic (book review), Afterimage: The Journal of Media Arts and Cultural Criticism, Volume 35, No. 2 (September/October 2007)

Selected Panels and Presentations: "Hitchcock's Temporal Object," American Culture Association, Albuquerque, 2015; "Time Stands Still: Fixed Moving Images in the Video Work of Adad Hannah," Society for Cinema and Media Studies Conference, Chicago, 2013; "Unhinged Time in the Digital Archive," Center for the Humanities at Tufts, 2012; "Repeated Time: Remembering and Reenactment in Wanda Jakubowska's "Ostatni Etap," Society for Cinema and Media Studies Conference (Panel Chair), Boston, 2012; "Damaged Time in Omer Fast's The Casting, Visible Evidence Conference, New York University, 2011

Selected Awards and Fellowships: Faculty Fellow, Holocaust Education Foundation Summer Institute, Northwestern University; Faculty Research Award, Tufts University; Cushman Family Fund Faculty Enrichment Grant, SMFA; Media Fellowship, National Endowment for the Arts Great Lakes Regional; Individual Media Arts Grant, Chicago Department of Cultural Affairs; Arts Residency, Banff Center for the Arts; Whitney Museum of American Art Independent Studio Program; Graduate Fellowship, New York University