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Sculptural tower of organic materials
Brownout
Ultracal, wire, Triticum aestivum (spring wheat), Celastrus scandens (bittersweet), paint, 30” x 16” x 74”, 2023
Detail of dried wheat and lattice structure sculpture
Brownout
Ultracal, wire, Triticum aestivum (spring wheat), Celastrus scandens (bittersweet), paint, 30” x 16” x 74”, 2023
Lattice structure sculpture with wheat
Grays Tower
Concrete, wire, Triticum aestivum (spring wheat), Phaseolus vulgaris (bush beans), paint, 30” x 30” x 61”, 2023
Detail of wood lattice sculpture with dried wheat
Grays Tower
Concrete, wire, Triticum aestivum (spring wheat), Phaseolus vulgaris (bush beans), paint, 30” x 30” x 61”, 2023
Lattice structure sculpture with dried leaves
Holding Tomorrow
Ultracal, wire, Triple Crown Yellow Hybrid (corn), Kentucky Wonder (pole beans), 17” x 17” x 64”, 2023
Detail of lattice structure sculpture with dried plant matter and dirt
Holding Tomorrow
Ultracal, wire, Triple Crown Yellow Hybrid (corn), Kentucky Wonder (pole beans), 17” x 17” x 64”, 2023
Tall sculpture of poles and plant matter
Milky
Steel, Ultracal, cookie jar, Triticum aestivum (spring wheat), wire, mylar, magnet, paper, paint, 20” x 18” x 83”, 2023
Detail of plant matter breaking through wooden lattice structure
Milky
Steel, Ultracal, cookie jar, Triticum aestivum (spring wheat), wire, mylar, magnet, paper, paint, 20” x 18” x 83”, 2023
Biography

Matt King’s work has been shown in solo exhibitions at The University of Georgia, Werkstätte Gallery, Massimo Audiello, MassArt, Reynolds Gallery and Fourteen30 Contemporary as well as group exhibitions at venues including Jane Lombard, Luhring Augustine, and the Vienna Kunsthalle. King received his MFA from Bard College and is a graduate of Cooper Union and the Whitney Independent Study Program. Honors include a VMFA Visual Arts Fellowship, a MacDowell Fellowship, and visiting artist residencies at the Mountain Lake Biological Station; Fiskars Village, Finland; NCCA St. Petersburg, Russia; and at the American Academy in Rome. He has taught at institutions such as MassArt, Cooper Union, RISD, and VCU, where he served as Chair of the Department of Sculpture + Extended Media.

Artist statement

My research is driven by an appreciation for life’s contradictions and paradoxes, everyday absurdities that keep me unsettled and curious. My studio practice draws from sculpture, photography, printmaking and digital media, often resulting in hybrid forms specific to each project. As a hands-on maker, I relish the potential of transforming the familiar into the productively strange, motivated by the belief that art has the unique ability to urge casual looking into rapt, critical attention.

My current work explores connections between human ambition and appetite, unchecked growth and ruin, hunger and sustainability. These are sculptures in the form of architectural fragments and fragile lattices that support food crops such as wheat, corn, and beans. The work develops slowly, transforming over the course of a growing season, engaging with multiple timescales and external forces. I seek to make visible what anthropologist Anna Tsing calls “more-than-human entanglements,” where agricultural and anthropological artifacts become as unruly as the world we inhabit.

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