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Artist Statement

Within my practice, I merge geometric abstraction and illustrative representation to reveal the extraordinary patterns, processes, and systems that exist within natural spaces. 

For my thesis, I created a series of large-scale drawings and handmade paperworks to visualize the mycorrhizal network: an interconnected below-ground system between tree roots and mycorrhizal fungi that enables communication and collaboration between trees within deciduous forests. Based upon the research of Suzanne Simard and Peter Wohlleben, I employ complex geometric patterns to abstract and illustrate the interdependent processes of this ecosystem that ensures the functioning and survival of these forests. 

In my process I use rulers, compasses, architectural stencils, and colored pencils to map lines, geometric and organic shapes, and earth-toned colors onto hand-gridded paper. In doing so, I reveal intricate, patterned compositions that are simultaneously compact and expansive. This process allows me to think through and meditate upon the individual components that coalesce to create structure and connection within these complex, natural communities. 

I hope my work conveys this connected, intertwined system that fuels forests’ inherent liveliness, energy, and animacy, and elicits a level of understanding, empathy, and contemplation on not only the importance and necessity of tree communities but also how we, as human beings, might model our own behavior and relationships after these inspiring, cooperative beings.

Instagram: @elizabethablessing_
Email: elizabethablessing@gmail.com

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Elizabeth Blessing - Roots
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Colored pencils, wax pencil, and gamsol on paper, February 2022.
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Elizabeth Blessing - DETAIL of Rooted Conversations: mycorrhizal murmurings
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Colored pencils, wax pencil, and gamsol on paper, February 2022
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Elizabeth Blessing - Interwoven I
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Colored pencil on hand-cut, handmade paper, December 2021
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Elizabeth Blessing - DETAIL of Interwoven I
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Colored pencil on hand-cut, handmade paper, December 2021.
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